I liked this assignment the best out of all the previous ones. I could take any photograph that I think would fit nicely to the theme and everything was up to me to decide. I love this form of creative freedom.
I went out on a photography trip to look for inspiration. There were several guidelines given for this assignment though, such as no human or animals or toys should be used in the photograph to express emotions.
Thinking that a lot of people would either go to very dark and solemn places to get sad or depressing photograph, I went off to one of my favourite haunts at Clarke Quay to get some photographs that shouts 'ME'.
There was a purple flower that was found along the Singapore River. I decided to take it because it sends out this overall aura of peacefulness. The flower's long slim petals fades into the background as I had a shallow depth of field. The dark background from the shade of the tree covering the area was good as it created a dark backgound contrasting with the soft peaceful colour of the flower. It silently shouts... serenity.
Then, I went to have lunch. I got inspired halfway through lunch to take a picture of my steaming bowl of ramen. But it looked kind of messy with the noodles inside, so I finished my lunch and took a picture of the empty bowl. I thought such an empty bowl shows the satisfaction everyone will understand after a meal. Thus I named it Simple Satisfaction of Life.
I wanted mess and it was very difficult to find good messes that do not consist of cluttered things made up by Man. Thus I found these wires poking out of a crack in the ground. I used this to represent the mess that hides beneath the simple plain surface of the ground. The world might not be as simple as it is. Especially now where the world is getting more and more 'connected', this wires might just reveal the electronic chaos that lies beneath.
Then there was this donut shop which sells donuts that are about only 5cm wide. I bought a box of it and went to look for a place with better lighting indoors to take a photograph. I wanted to take the pictures of these donuts because they are such simple food, dough fried and dipped in various coatings to give different flavours. So simple and yet when you bite into one, it is sheer happiness.
After this whole project, I found that emotions need not be something that must be expressed by human expressions. How the object is placed, what kind of lighting is used, the angle of the camera affects the mood that it conveys. The composition of the photograph, what is the nature of the object being photographed plays an important role int the emotions that surface in the viewer of the picture.
Wednesday, October 29, 2008
Saturday, October 18, 2008
Assignment 4: Urban Fantasy ( Review)
I presented my works and received a better response for the 'Moses separating the Red Seas' picture.
However, there were several improvements that need to be made.
Some of the suggestions were:
Then, to let the viewer relate it to the idea of the sea, I used the Liquify tool to add waves to the metal.
After which, I was also given ideas that the colour themes of the whole picture was too shallow. There should be more differentiation in colours when it comes to the 'sea' and the 'sky'... while letting the car remain as the main object of focus. Therefore, I decided to add some 'cool' colours to the 'sea'.
To add to the dramatic effect, I created a lightning bolt out of Photoshop tools. This kind of completed the picture and gave it a better overall feel. I felt that through this assignment I have learned how to turn normal pictures into totally different and amazing work of abstraction.
Amazing.
However, there were several improvements that need to be made.
Some of the suggestions were:
- The sea was not obvious to the viewer at all
- Perhaps a horizon to show it would be better
- Why is there no human in the picture
I decided to edit the pictures based on the first 2 points. As for the 3rd point, I did not make any changes because I wanted to stick to my initial idea of 'Urban Fantasy' which is to not have any humans in the pictures at all.
First, I decided to add an 'Urban' horizon, which is of a metallic surface picture I took from the airport.Then, to let the viewer relate it to the idea of the sea, I used the Liquify tool to add waves to the metal.
After which, I was also given ideas that the colour themes of the whole picture was too shallow. There should be more differentiation in colours when it comes to the 'sea' and the 'sky'... while letting the car remain as the main object of focus. Therefore, I decided to add some 'cool' colours to the 'sea'.
To add to the dramatic effect, I created a lightning bolt out of Photoshop tools. This kind of completed the picture and gave it a better overall feel. I felt that through this assignment I have learned how to turn normal pictures into totally different and amazing work of abstraction.
Amazing.
Thursday, October 9, 2008
Blog Exercise 3: Analyzing a Picture
We were given a choice to choose a genre out of this 3 categories and write a commentary on it.
The 3 categories are:
Caption: Former Prime Minister Benazir Bhutto waves from the sun roof of her armored car just seconds before being being assassinated in a gun and suicide bomb attack December 27, 2007. She was departing a campaign rally in the army garrison city next to Islamabad.
This photograph was taken by John Moore who came in first as Photojournalist of the Year in the National Press Photographer Association's Best of Photojournalism 2008 contest.
The photograph is blurred and the colour are pretty dull and lighting is quite poor. But it is good in the sense that it conveyed how messy and dangerous it was to be in that situation. Although the subject of the photograph should be the Former Prime Minister Benazir Bhutto, she was totally not in sharp focus and is infact totally blur. However, it is interesting to note that the motion blur caused by all the action leads the attention to the center of the picture, which brings the focus back on the Former Prime Minister, even if she is in fact not in focus.
The picture was taken from a lower perspective as the subject is a leader and she was on higher grounds. All the motion blur in the picture also conveyed a lot of action, a lot of pushing and shoving that must have happened at the scene.
In photojournalism, the main purpose for the photograph is to tell the story that the photographer wants to tell. The perpective and the action captured on this picture clearly shows the action and chaos and conveyed how terrible it must be to be in that situation. Blurs are often used in photojournalism to show chaos. Another example would be this other photograph by the same photographer of the suicide bombing after the former prime minister was assasinated.
This picture, as compared to the above one, is blur too. With the bight colours from the explosion and the total blur covering the people, it captured the desperation to escape and the chaotic running for safety.
This is another action shot of a fight by Jahi Chikwendiu from The Washington Post to show a fight on the streets. Similar to the previous two pictures, it used motion blur to show action, to let the picture come alive.
However, not all shots in photojournalism must be blur to be effective. Shots in sharp focus are very good when the picture wants to convey how solemn or how still the subject is.
This picture by Stephen M. Katz for The Virginian-Pilot has to be clear to show the soldier silently standing-by for his peers who are patrolling on the streets of Iraq. If this shot is off focus, it would not convey any effective message, but that the photographer is bad at taking photographs.
From this exercise, it made me realise that photographs must not always be clear to capture good moments. Blurring and shaky shots in photojournalism might be more effective than clear focused ones in telling the story to the viewer of the picture. Still and focused shots are still essential to capture solemnness and silence.
The 3 categories are:
- Photojournalism
- Social Documentary
- Commercial Photography
Caption: Former Prime Minister Benazir Bhutto waves from the sun roof of her armored car just seconds before being being assassinated in a gun and suicide bomb attack December 27, 2007. She was departing a campaign rally in the army garrison city next to Islamabad.
This photograph was taken by John Moore who came in first as Photojournalist of the Year in the National Press Photographer Association's Best of Photojournalism 2008 contest.
The photograph is blurred and the colour are pretty dull and lighting is quite poor. But it is good in the sense that it conveyed how messy and dangerous it was to be in that situation. Although the subject of the photograph should be the Former Prime Minister Benazir Bhutto, she was totally not in sharp focus and is infact totally blur. However, it is interesting to note that the motion blur caused by all the action leads the attention to the center of the picture, which brings the focus back on the Former Prime Minister, even if she is in fact not in focus.
The picture was taken from a lower perspective as the subject is a leader and she was on higher grounds. All the motion blur in the picture also conveyed a lot of action, a lot of pushing and shoving that must have happened at the scene.
In photojournalism, the main purpose for the photograph is to tell the story that the photographer wants to tell. The perpective and the action captured on this picture clearly shows the action and chaos and conveyed how terrible it must be to be in that situation. Blurs are often used in photojournalism to show chaos. Another example would be this other photograph by the same photographer of the suicide bombing after the former prime minister was assasinated.
This picture, as compared to the above one, is blur too. With the bight colours from the explosion and the total blur covering the people, it captured the desperation to escape and the chaotic running for safety.
This is another action shot of a fight by Jahi Chikwendiu from The Washington Post to show a fight on the streets. Similar to the previous two pictures, it used motion blur to show action, to let the picture come alive.
However, not all shots in photojournalism must be blur to be effective. Shots in sharp focus are very good when the picture wants to convey how solemn or how still the subject is.
This picture by Stephen M. Katz for The Virginian-Pilot has to be clear to show the soldier silently standing-by for his peers who are patrolling on the streets of Iraq. If this shot is off focus, it would not convey any effective message, but that the photographer is bad at taking photographs.
From this exercise, it made me realise that photographs must not always be clear to capture good moments. Blurring and shaky shots in photojournalism might be more effective than clear focused ones in telling the story to the viewer of the picture. Still and focused shots are still essential to capture solemnness and silence.
Tuesday, October 7, 2008
Assignment 4: Urban Fantasy
The starting of this assignment was the hardest. Because I had several very different ideas of what could be an urban fantasy.
First, I thought of doing something along the lines of "Mechanization of Nature". I wanted to show that even the sprouting of road side plants could be mechanized, could it be the urban life's fantasy that they aim to achieve? For that idea, I experimented with a few photographs.
The first flower was taken at the Changi Airport and the second picture was a crack on the ledge near my house. I combined them with Photoshop to create an illusional surreal picture of a mechanised flower breaking through a stone wall. It conveys the idea of how mechanised the world is turning into and perhaps in the future, even a simple wild flower blooming could be mechanised.
My second idea was to recreate a phenomenal scene that has occurred in the past, but this time, using ONLY urban structures. I went to take pictures of various inanimate objects at the Changi Airport and around my housing estate.
I extracted the 'railings' and flipped it to create a converging effect. Then I filled up the center to give it a narrowing perspective. Then, I blurred and smudged the tips of the railing to give the opening waves a softer feeling.
Then, I added a road. Because the original road is not as long, I extended and stretched it and then later transforming it to form a road going into the distance. After which, I added a red car to represent Moses. I chose red because it captures the viewer's attention and stands out, like how Moses, in the scene of the separating the Red Seas, is the main subject of the picture.
Then, I edited the car license plate, for 2 reasons. Firstly to not to let the viewers know which car I took a picture of ( it is afterall ethical to protect the rights of the subject ) and to let the viewers have a better idea of what I was trying to recreate with this twisted arrangement of urban structures. Thus, I added the text 'M05E5', a new license plate number for the car.
After which, I added motion blur to the car and added the background, which was the cloudy sky to emphasize on the idea of 'phenomenon'. I colorized the sky to purple to give it the last mystic touch and my first draft of urban fantasy was born!
I planned to bring both these pictures to class to get their opinions and only develop one for my final work.
First, I thought of doing something along the lines of "Mechanization of Nature". I wanted to show that even the sprouting of road side plants could be mechanized, could it be the urban life's fantasy that they aim to achieve? For that idea, I experimented with a few photographs.
The first flower was taken at the Changi Airport and the second picture was a crack on the ledge near my house. I combined them with Photoshop to create an illusional surreal picture of a mechanised flower breaking through a stone wall. It conveys the idea of how mechanised the world is turning into and perhaps in the future, even a simple wild flower blooming could be mechanised.
My second idea was to recreate a phenomenal scene that has occurred in the past, but this time, using ONLY urban structures. I went to take pictures of various inanimate objects at the Changi Airport and around my housing estate.
I extracted the 'railings' and flipped it to create a converging effect. Then I filled up the center to give it a narrowing perspective. Then, I blurred and smudged the tips of the railing to give the opening waves a softer feeling.
Then, I added a road. Because the original road is not as long, I extended and stretched it and then later transforming it to form a road going into the distance. After which, I added a red car to represent Moses. I chose red because it captures the viewer's attention and stands out, like how Moses, in the scene of the separating the Red Seas, is the main subject of the picture.
Then, I edited the car license plate, for 2 reasons. Firstly to not to let the viewers know which car I took a picture of ( it is afterall ethical to protect the rights of the subject ) and to let the viewers have a better idea of what I was trying to recreate with this twisted arrangement of urban structures. Thus, I added the text 'M05E5', a new license plate number for the car.
After which, I added motion blur to the car and added the background, which was the cloudy sky to emphasize on the idea of 'phenomenon'. I colorized the sky to purple to give it the last mystic touch and my first draft of urban fantasy was born!
I planned to bring both these pictures to class to get their opinions and only develop one for my final work.
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